Showing posts with label Hollywood. Show all posts
Showing posts with label Hollywood. Show all posts

Monday, November 13, 2017

"The Orville", not your daddy's (or my) "Star Trek"

I thought I would give "The Orville" a try as it seemed like a more out-right comedic version of Star Trek, which to me sounded like a winner and fresh fare for those that have seen EVERY SINGLE episode of the original and the related and the "in the neighborhood" shows (like Firefly - darn good series, sorry it didn't make it). In fact I went into this wanting to like it. To date I have seen the first9 episodes and so far I have learned:

- Episode 3, "About a Girl": Homosexual sex is not only A-OK but is absolutely normal and nothing to bat an eye at. In that same episode, I learned that it is perfectly fine to NOT tell your spouse that you had a sex change until you absolutely have to. It is also acceptable to change the sex of your newborn if you find their natural / genetic sex uncomfortable. Secondary lessons learned, if it were not for women, men would be playing with high explosives in the middle of every down town city (with no regard to public safety) and we would all be a bunch artless, boorish "men" where our greatest author would be shunned and hidden away [from the world] woman.

- Episode 9, "Cupid's Dagger": If your wife had an affair with another man, it is NOT her fault and you are a d*ck if you get mad and divorced because it was not her fault. Also, homosexual sex is GREAT and as a side affect, being (now) bisexual is just another day (more partner options yay!). A secondary "teachable moment" is that using chemicals to entice men and women into bed is OK too, as long as everyone has fun.

There were some "high points" like episode 7 ("Majority Rule") where they take a thoughtful swipe at social media and those infatuated with same.

I am still on the fence as to if I will stick with this "space" series. I am no prude and I am a big boy and can see the liberal propaganda for what it is. I do get tired of having all of these liberal hot-button items jammed down my throat on a 24/7 basis though. Surveys show that as much as 2.1% of the population is gay or bisexual. If you were to go by how that group is represented on TV, you would think the percentage is closer to an order of magnitude higher. I have also notices a marked increase in the requisite "gay" character in teen movies. It seems that every "clique" has to have their representative of each interest group to get past those that approve TV/movie projects. I personally do not care if you are straight, gay, bisexual, or other. I do care that it is jammed into every movie, TV show, commercial, etc. at a much higher percentage than is representative of the general population. Enough already! Give it a rest. I wish all of these "creative" types would focus more on the plot and the story than on the composition of the case of characters.

Monday, December 12, 2016

Star Warz Rogue hu?

What in the friggen world is Hollywood thinking? Must they go out of their way to be "edgy", to "interweave a larger narrative into the prevailing context", to take a dump on anything that is considered traditional?

Apparently Hollywood did not learn their lesson with the flop that was the Ghost Busters remake. Nope. They want to try again with a new slant on Star Wars.


What? Like isn't that the entire point of Star Wars? You have the good guys (the light side of the Force) and the bad guys (the dark side of the force). Heck, the bad guys even call it "the dark side"! They blow up entire planets to make a point. You literally CAN'T get any more clear cut than that.

Rogue One: A Star Wars Story is different. The first film of the Star Wars Anthology Series, hitting theaters Dec. 16, sidesteps this Jedi Manichaeism almost entirely.

Um, isn't like the main point of the entire Star Wars franchise that you have this "stuff" called "the Force" and some use it for good and some use it for bad and that those that use it for good are called Jedi? So you have created a Star Wars movie that does not focus on those at the center of the Star Wars franchise? Isn't that like having a zombie movie but making it all about cats and not have any actual zombies in it?

But I think a more modern, realistic viewpoint is that no one's good, no one's evil, and the only real way we're going to stop wars is to understand each other better, come together and empathize with them.

That quote is from the film's director, Gareth Edwards. WOW. That is some nuclear grade stupid right there. Sorry to burst your lefty safe-space but there really is actual "good" and actual "evil" in this world. There is gray too but the fact that gray exists does not mean white and black don't also exist. As an example, it is never OK to strap a explosive vest on a kid and send him into a crowd to blow everyone up. It is never OK to stone a rape victim to death. It is never OK to toss a gay man off of a roof. It is never OK to fly a plane full of innocent people into tall buildings. There is NO possibility of mutual understanding in those cases unless the folks doing those things truly come to fully understand how very wrong they are AND stop. You don't compromise with evil. The best you can do is show it the error of its ways in whatever way it takes.

Neo-Nazis, white supremacists, and men's rights activists plan to boycott Rogue One on the grounds that the Empire is another casualty of the "liberal media."

I am sure that all 12 remaining Neo-Nazis and all 8 of the official white supremacists (I believe that figure includes David Duke) left in America  plan to boycott the film. I am also sure that a whole lot of "normal" Star Wars fans will also boycott this film because they might be a little tired of their "stuff" being messed with by some self-important, new-age, preachy liberal director that thinks he "has an important" message to share with the world versus telling a good story within the existing franchise framework that has been supported by the fans all these many years.

The reviewer (Lili Loofbourow) is also one very "special ray of sunshine, open-mindedness, and tolerance". You can tell when she gives us this little peek behind her mental curtain:

One can certainly see why: White supremacists — or the "alt-right," as it prefers to call itself these days — would prefer a return to the status quo.

So, conservatives, those that want a smaller Federal government ARE not only the "storm troopers" in the latest Star Wars film but are also white supremacists! Also, the "alt-right", who might be more accurately defined as a slightly more militant version of the older Tea Party movement are JUST LIKE white supremacists! Just like. No difference! So they must be Nazis too since we learned earlier that White supremacists and Nazis are the same so if the alt-right is the same, they must be Nazis too.

Not happy calling half the country white supremacists (a.k.a. Nazis), she goes on to completely get her main premise wrong by claiming:

"darkest, most nuanced Star Wars movie — the one that expressly aims to humanize the Empire even more radically than The Force Awakens, which makes John Boyega's character Finn, a former stormtrooper, a sympathetic figure - is being boycotted for not catering enough to neo-Nazis."

So this Mensa member thinks "white supremacists" don't want to see the new "darkest, most nuanced Star Wars movie" because the Neo-Nazis think the film goes too soft on the Nazi stand-in figures (the Empire) by making them too empathetic?

Interesting...

So who is Lili? Let us check her bio...

Lili Loofbourow is the culture critic at TheWeek.com. She's also a special correspondent for the Los Angeles Review of Books and an editor for Beyond Criticism, a Bloomsbury Academic series dedicated to formally experimental criticism. Her writing has appeared in a variety of venues including The Guardian, Salon, The New York Times Magazine, The New Republic, and Slate.

A special correspondent for the Los Angeles Review of Books. What does that even mean? What is a "special correspondent" for book reviews? She is also editor for a series dedicated to formally experimental criticism. Do these people just string words together? What does that even mean? I tried googling that as I am not familiar with that phraseology. The only thing I could turn up is its use in an interview that hints that it has something to do with nonfiction. I gave up searching after reviewing three pages of results. Lili apparently writes for such literary greats as The Guardian, Salon, NYT, and Slate.

If her condescending article is in anyway representative of the attitude of the movie, I fully expect another critically acclaimed box office flop. Folks are getting fed up with being preached at by the ignorant elite. People are starting to push back. You are paid to entertain us, not preach or shove your politics down our throats. Not sorry if that means you get your feelz hurt.